“Burning Witches” is a conceptual two-man exhibition by Julius Bagoyo and Mark Turbolencia, featuring works influenced by pop culture, pilgrim symbols, and classical paintings. Julius and Mark’s works draw on the idea of burning witches on a stake as a bygone equivalent of today’s “Cancel Culture”. By presenting nobility, stylized in Julius’ signature warping, vis-à-vis Mark’s bloated and persecuted figures, their thesis calls upon the morality of subjecting individuals to public scrutiny and humiliation, similar to that of holding accused “witches” in public for trial. As dated as these events go, “Burning Witches” wishes to reflect its contemporary manifestations to us at a time where social media connects people to more askew perceptions of each other; in effect questioning whether it is valid to perpetuate excessive defilement over constructive judgment online.